In each class, Students are expected to read the weekly articles and participate in discussions related to each week’s topic. In addtion, this course will have a whole-day field trip on October 29th (Tuesday). If you have to miss a class or meet any problem, please send email to me. There will be no grade deduction for reasonably excused absences. However, to attend each class and the filed trip should be compulsory.
Students will be required to prepare an analytical paper regarding digital technology issues in assigned entertainment and media industry. The potential paper topics will be highly encouraged to work with instructors to develop, and instructors will make them available for discussion and preparation. The detail group list, subject assignments and the form requirements of paper reports will be announced after our first class.
TENTATIVE CLASS SCHEDULE:
Topic/Event & Readings
◆ Jonathan Taplin, Has the Digital Revolution Led to Cultural Devolution? Journal on Telecommunications & High Technology Law, Spring 2012, Vo11. Issue 1, p243-250
【Digital Revolution in Entertainment Industry】
An Overview and the Changing Scene
◆ Kal Raustiala and Chris Springman, The Second Digital Disruption: Streaming & the Dawn of Data-Driven Creativity, N.Y.U. L. Rev. (forthcoming)
【FILM INDUSTRY SERIES 1】
Hollywood Deals, Monopoly Power and Film Industry
- Alexandra Gil, Breaking The Studios: Antitrust and The Motion Picture Industry, NYU Journal Of Law And Liberty, Volume 83 Number 3 (2008)
- Jonathan M. Barnett, Hollywood Deals: Soft Contracts For Hard Markets, Duke Law Journal, Volume 64 Number 4 (January 2015)
【FILM INDUSTRY SERIES 2】
The Huge Controversy Streaming Media Caused (1): How Money Ball Push Us to Reconisder Film Policy?
- Michael D. Smith , Rahul Telang, Streaming, Sharing, Stealing: Big Data and the Future of Entertainment ( The MIT Press, 2016), Chapter I: Good Times, Bad Times (p.1-59)
- Michael D. Smith , Rahul Telang, Streaming, Sharing, Stealing: Big Data and the Future of Entertainment ( The MIT Press, 2016), Chapter II: Changes ( p.63-102)
【FILM INDUSTRY SERIES 4】
The Huge Controversy Streaming Media Caused (2): Streaming Media and Industrial Chain
- Michael D. Smith , Rahul Telang, Streaming, Sharing, Stealing: Big Data and the Future of Entertainment ( The MIT Press, 2016), Chapter II: Changes ( p.103-152)
- Michael D. Smith , Rahul Telang, Streaming, Sharing, Stealing: Big Data and the Future /of Entertainment ( The MIT Press, 2016), Chapter II: Changes ( p.153-186)
【TV & NEWS INDUSTRY SERIES 1 】
New Media: Democratic Platform or an Existential Threat to Our Idea of Democracy?
- David Goldberg, Responding to Fake News: Is There an Alternative to Law and Regulation, Southwestern Law Review, Vol. 47, Issue 2 (2018), pp. 417-448
- Yale Law School Information Society Project and the Floyd Abrams Institute for Freedom of Expression, Fighting Fake News (2017) (https://law.yale.edu/sites/default/files/area/center/isp/documents/fighting_fake_news_-_workshop_report.pdf) / Jane E. Kirtley, Getting to the Truth: Fake News, Libel Laws, and Enemies of the American People, Human Rights, Vol. 43, Issue 4 (2018), pp. 88-91(https://www.americanbar.org/groups/crsj/publications/human_rights_magazine_home/the-ongoing-challenge-to-define-free-speech/getting-to-the-truth/)
【TV & NEWS INDUSTRY SERIES 2】
- Lawrence Lessig, Free Culture: The Nature and Future of Creativity, Penguin Books (2005), p.1-61
- Lawrence Lessig, Free Culture: The Nature and Future of Creativity, Penguin Books (2005), p.61-101
【TV & NEWS INDUSTRY SERIES 3】
Guest Speaker: Taiwan Microsoft Legal Department
- Lawrence Lessig, Remix- Making Art and Commerce Thrive in the Hybrid Economy ,Chapter 4 - RW, Revived, Penguin Books (2005), p.51-82.
- Lawrence Lessig, Remix- Making Art and Commerce Thrive in the Hybrid Economy ,Two Economies, Penguin Books (2005), p.117-172.
【MUSIC LAW SERIES 1】
History of the Music Industry: Technology, Culture, Law, Institutions
◆Peter S. Menell, This American Copyright Life: Reflections on Re-equilibrating Copyright for the Internet Age, 61 Journal of The Copyright Society 235 (2014)
【MUSIC LAW SERIES 2】
The Distribution Right, First-Sale, and Import-Export
◆Peter DiCola, Money from Music: Survey Evidence on Musicians’ Revenue and Lessons About Copyright Incentives, January 9, 2013.
◆ Micharetel Carrier, Copyright and Innovation: The Untold Story Wisconsin Law Review 891, 2012
【MUSIC INDUSTRY SERIES 3】
Fair Use and Culture Promotion in Digital Age
◆ Peter S. Menell, Adapting Copyright for the Mashup Generation, University of Pennsylvania Law Review, Vol. 164, Issue 2, (Jan. 2016).
◆ Dina LaPolt, A Response to Professor Menell: A Remix Compulsory License Is Not Justified, 38 COLUM.J.L. & ARTS 365 (2015) / Robert P Merges, Compulsory Licensing vs. the Three "Golden Oldies" Property Rights, Contracts, and Markets, Cato Policy Analysis, No.508, p.1-11 (Jan. 25, 2004).
【Asian Perspectives 1】
Guest Speaker: South-Asia Policy
Intellectual Property Law in Digital Age
- John Fang-jun Li, The development of the digital music industry in China during the first decade of the 21st century with particular regard to industrial convergence, International Journal of Music Business Research, Vol. 2, Issue 1, p.63-86 (2013).
- David Herlihy, Yu Zhang, Music industry and copyright protection in the United States and China, Global Media and China, Vol 1, Issue 4, p.391, 393-395, 397 (Dec. 2016).
- William P. Alford, To Steal a Book Is an Elegant Offense: Intellectual Property Law in Chinese Civilization (Stanford Univ. Press 1995)
【Asian Perspectives 2】
Cultural Impact and Legal Reform
- Benjamin Liebman and Tim Wu, China's Network Justice (January 9, 2007). Columbia Public Law Research Paper No. 07-143.
- Eric Priest, Copyright and Free Expression in China's Film Industry, Forham IP, Media & Entertainment Law Journal Volume 26 (2015)
- Steve Tsang, Taiwan's Impact on China: Why Soft Power Matters More Than Economic or Political Inputs, Palgrave Macmillan (2017)
【Term Paper Presentation】
【Term Paper Presentation】